摘要
剪纸,这一中国民间古老的传统艺术可谓源远流长。这种来自民间的最富有感染力的剪纸艺术在人类的发展进步中,维系和推动了民间最具有形象内容的传统文化的持久存在与发展。大连地区的剪纸文化,在经历了不同历史时期的洗锤之后,逐步形成了朴素、简练、概括、稚拙感强、重于图案纹样的变形与夸张,喜用大的块面和粗壮有力的线条来表现作品的特征。民间剪纸艺术家在剪刀的张合之中搭建了剪纸在中国民间艺术中的基本功能性的意义和精神价值取向,大连地区的剪纸文化最终不可避免地成为中国剪纸文化中丰富多彩的意象体系和习俗模式中的一部分。
Paper-cutting, as an old Chinese traditional folk art, enjoys a long history by consolidating and promoting its long-time existence and development of the most impressive traditional culture rich in difference forms and images in human civilization. Having developed over periods, paper-cutting culture has gradually formed such features as plain, simple, concise, primitive, inclined to transformation and exaggeration in design pattern with big patches and bold lines to interpret art work by establishing the functional meaning and spiritual value in Chinese folk art with scissors, and finally in Dalian becoming part of colorful image convention in Chinese paper-cutting culture.
作者
张欣
ZHANG Xin(Dalian Modem Museum,Dalian 116023,China)
出处
《大连大学学报》
2018年第2期79-82,共4页
Journal of Dalian University
关键词
剪纸
社会
民间文化
农耕经济
艺术
paper-cutting
society
folk culture
agricultural economy
art