京剧腔音在民族声乐演唱中的融汇贯通——以歌曲《粉墨春秋》为例

The integration of Beijing Opera in the singing of national vocal music

中国民族声乐的发展,在不断地探索新的道路,尝试融入不同音乐形式的多种元素,尤其是对中国戏曲音乐元素的吸收。以《粉墨春秋》为例,阐述民族声乐对京剧中润腔、气息、节奏以及吐字咬字等方面的借鉴和运用,这种借鉴与运用使中国民族声乐在民族化的道路上开辟出了一片新的天地。

In its developing process, Chinese national vocal music is continuously exploring new ways,trying to integrate various elements of different music forms, especially Chinese opera music. In this paper,on the basis of the vocal music Inky Spring and Autumn, the relevant application of national vocal music is involved, and its influence upon Chinese opera is also expounded, mainly in throat-clearing, breathing,rhythm and enunciating aspects. This methodology has opened up a new world for the nationalization of Chinese vocal music.