摘要
情爱叙事在"十七年"文学文本中一直处于比较次要的地位,而鲁彦周话剧《归来》却较好地平衡了革命叙事与情爱叙事之间的关系。在话剧中,作家从女性主体意识的遮蔽与觉醒、传统婚恋观的解构以及对现代家庭伦理关系的反思等角度揭示着他的婚恋书写,从中渗透着作家对两性关系及人性本质等问题的思考与探索。
Love narratives have taken up secondary position in ＂ seventeen-years＂ literature,while Lu Yanzhou＇s drama Come Back grasped the balance of between the revolution narratives and love narratives. The author started writings about female stance,traditional viewpoint of love and reflection on modern family ethical relations. The drama Come Back expressed the sexual relations and human nature matters,which showed special and valuable qualities of the author.
作者
许加林
陈宗俊
XU Jia 1in, CHEN Zong jun(School of Literature, Anqing Normal University, Anqing 246011, China)
出处
《河北科技大学学报（社会科学版）》
2018年第2期77-81,共5页
Journal of Hebei University of Science and Technology:Social Sciences
基金
安徽省哲学社会科学规划一般项目(AHSKY2015D115)
关键词
鲁彦周
《归来》
婚恋叙事
Lu Yanzhou
Come Back
marriage narratives
