浅析安徽汉代青铜镜与东方阴翳美的内在联系

Relation Analysis of Anhui Han Dynasty Bronze Mirror and Oriental Beauty Shadow

安徽汉代铜镜在外观机理成色、造型构成、文化内涵、材质选择、纹饰图样设计等方面与东方阴翳美的理念相通,其精神内涵超脱了器形之外,与美学中禅宗文化追求的境界不谋而合,更多地表现了造法自然、人与世界的共融,且寄情于物的高尚追求,其古朴深厚、雄浑大气的装饰风格,为现代器形注入了更多的理性之美,它在凝练铸造我们民族精神之外,更多地以阴翳之美平复了现代人不安的心绪。

The bronze mirror of the Han Dynasty in Anhui is similar to the concept of Oriental Yin Mei in terms of appearance mechanism,shape composition,cultural connotation,material selection,and decorative design. Its spiritual connotation is beyond the shape of the device,and it is in harmony with the realm of Zen culture pursuit in aesthetics. More shows the communion of nature,people and the world,and the noble pursuit of sentiment in things. Its simple,profound,magnificent atmosphere,and lively style of decoration have injected more rational beauty into the modern device shape. In addition to condensing and casting our national spirit,it calms the uneasy mood of modern people more with the beauty of shade.