摘要
从20世纪80年代中期开始,无论是创作视角的转移还是诗作色调的转换,都表明诗人昌耀的创作姿态发生了一系列转变。作者以1985年的《斯人》为界,将其后的诗文风格按自己的理解归为三类,并赋予每种类别一种可感的形象,分别为"溺水者""游荡者""苦修者"。最后,通过对三种形象的比较揭示出昌耀1980年代中期后的诗作对于文学自身及其时代的重要意义。
From the middle of 1980 s marked by a poem entitled Si Ren(The Person) by Chang Yao,both his literary creation and his writing style indicate that Chang Yao's attitude towards writing had a series of changes. Chang Yao's style can be expressed as three kinds of images which represented by the drowner; the wanderer; the ascetic. The comparison among the three images uncovers the significance of Chang Yao's poems after 1985 for both literature and the period.
作者
李凯旋
LI Kai-xuan(School of Literature, Capital Normal University, Beijing 10008)
出处
《贺州学院学报》
2018年第2期72-80,共9页
Journal of Hezhou University
关键词
昌耀
溺水者
游荡者
苦修者
Chang Yao
the drowner
the wanderer
the ascetic