摘要
传统诗歌对神性的表达多基于对神性经验的想象,形式庄严肃穆,语言错落有序。这种神性观念也影响了新诗创作实践:闻一多以骈辞俪句构筑文字景观;郭沫若在对创造精神的崇拜中张扬神力;冯至以叙事诗体描绘传奇、感悟命运;杨炼、江河等从中国远古神话中发掘生命的神性。于坚则在琐碎的生活经验的基础上,跳出传统的"神性"概念范畴,通过对语言、形式的革新打破传统诗歌写作经验,探索出一条于"万物中寻找神性"至"回归日常生活神性"的路径,在诗歌创作中实践重建日常神性的可能。
With solemn form and ordered language, traditional poetry, whose divinity expression is mainly based on the imagination of divine experience,and therefore, the divine-related notion futherly has influenced the writing of new poetry. Wen Yiduo constructs the text landscape with gorgeous statements. Guo Moruo affirms the divinity of man in his worship of creative spirit.Feng Zhi depicts legends and thinks about fate by narrative poems.Yang Lian, Jiang He and others explores the divine nature of life from ancient Chinese mythology. Jumping out of the traditional "divine" concept category and breaking through the traditional poetry writing experience with innovative language and form,Yu Jian blazes a trail from "seeking divinity in nature" to "returning to the divine essence of daily life" and realizes the reconstruction of daily divinity in poetry writing.
出处
《写作》
2018年第3期58-63,共6页
Writing
关键词
于坚
经验
语言
形式
日常生活
神性
Yu Jian
Experience
Language
Form
Divinity of Daily Life