摘要
都市戏剧以都市为背景,借用艺术的手法,反映都市物理空间与社会空间所发生的矛盾与冲突。本文以20世纪末三部反映美国都市边缘群体生存状态的戏剧（《玛丽莎》、《天使在美国》和《刚下船的人》）为研究对象,探讨都市流浪汉、不同性取向者以及少数族裔移民所面临的生存空间困境和精神空间危机,揭示都市空间的辩证性和再生产性及其所包含的强烈的意识形态色彩。
Taking metropolises as its usual settings,urban drama,through its artistic means, reflects the conflicts and struggles in the physical and social space in the city. By focusing on three plays： Marisol, Angels in America and FOB, the paper explores the living conditions of the marginalized group in some metropolitan cities. Through discussion, the paper reveals the miserable living conditions and spiritual crisis of the homeless,the people who have different sex orientation and the alien immigrants in the USA. The author contends that space is dialectical,reproductive and full of politics.
出处
《英美文学研究论丛》
CSSCI
2018年第1期191-204,共14页
English and American Literary Studies
基金
国家科学基金项目:“20世纪美国都市戏剧与都市精神研究”(17BWW091)的阶段性成果
关键词
都市戏剧
空间正义
边缘群体
urban drama
space justice
marginalized group
