摘要
陈从周先生《说园》五篇,总结了中国园林诗情画意的理想和因地制宜的原则。在具体方法上,强调"小中见大""动观静观""借景对景"三个法则,并以此贯穿全书。这三个法则是对中国造园理论的重要发展,是造园的重要方法,也是园林认知、鉴赏的基本观点。文章分析了三个法则的主要内容,并与凯文·林奇的《城市意象》五要素进行比较分析,探索二者在空间认知上的异同。最后结合笔者在住区设计中的实践,提出《说园》三法对当下实践的启示作用,以此寻求传统园林文化的当代呈现。
Chen Congzhou＇s five essays On Chinese Gardens summarize Chinese garden＇s ideals of poetic imagery and its principle of adaptation to local conditions. In terms of specific methods, the three laws are emphasized run through the book： See the whole world from a grain of sand, in-motion view and inposition view of scenes, and ＂borrowed views＂ and ＂echoing views＂. These three laws have set forth the new and novel concepts in garden making. This paper first analyzes the main content of the three laws, and then compares it with the Five Elements of The Image of the City by Kevin Lynch. Lastly,through combining with the author＇s practice in housing design, the paper shows the enlightenment of the three laws in contemporary manifestation of traditional garden.
作者
李振宇
朱怡晨
LI Zhenyu;ZHU Yichen
出处
《时代建筑》
2018年第4期32-37,共6页
Time + Architecture
关键词
《说园》
诗情画意
因地制宜
动观静观
小中见大
借景对景
《城市意象》
On Chinese Gardens
ArtisticImagination
Adaptation to Local Conditions
In-motionView and In-position View of Scenes
See the WholeWorld from a Grain of Sand
Borrowed Views andEchoing Views
The Image of the City
