纹理化世界中的游牧空间 2017深港城市\建筑双城双年展述评

Nomadic Space in the Textured World Review of the 2017 Shenzhen&Hong Kong Bi-city Biennale of Urbanism\Architecture(2017UABB)

以"城市共生"为主题的2017深港城市\建筑双城双年展(UABB),是双年展第一次进入城中村。城中村与双年展如此紧密地结合在一起,就像是草原中偶然相遇的两个游牧部落一样。正如德勒兹所说,现代国家和大都市的基质就是普遍的、无处不在的纹理化结构,纹理化过程代表了中心权力体系的规范化过程。而城中村和双年展都是游离在控制体系之外的游牧空间和平滑空间,具有内在的多元、自由和非正规属性。双年展与城中村相结合的过程充满机遇和风险,我们要时刻警惕它们被带入纹理化的陷阱之中。而未来,则需要将游牧空间转化为创新空间,并把城中村作为双年展的孪生体,由此才能拯救城中村和双年展,永远保持它们内在的抵抗性力量。

Under the theme of Cities, Grow In Difference, the 2017 Shenzhen ＆ Hong Kong Bi- city Biennale of Urbanism／Architecture for the first time has taken place in the urban villages. The urban villages and the Biennale are closely tied together, as if two nomadic tribes encountered by chance in the prairie. As G. Deleuze stated, the matrix of modern states and metropolises is a universal and ubiquitous textured structure, and the process of texturization represents the normalization process of the central power system. Urban villages and the biennials are nomadic spaces and smooth spaces that are outside the control system and have intrinsic multiple, free,and informal properties. The process of bringing together the Biennale and urban village is charged with opportunities and risks. We must always be alert to the fact that they are brought into a textured trap. In the future, it is necessary to transform the nomadic space into an innovative space and use the villages as the twin body of the biennale so as to save the urban villages and the biennale, and always maintain their inherent resistance.