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中国传统山水画中避世主义的探源

The exploration of the ascent doctrine in Chinese traditional landscape painting
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摘要 作为中国传统文化一部分的中国山水画向来以清幽淡泊为艺术追求,这是佛道两家文化共同影响的结果,又受到山水画诞生时期社会政治经济环境的影响。避世主义作为中国传统山水画的主基调,对山水画的创作起了决定性的指向作用。本文将探讨传统中国山水画中避世主义的起源及其对山水画的长远影响。 As a part of Chinese traditional culture, Chinese landscape painting has always been the pursuit of art, which is the result of the common influence of the two cultures of Buddhism and Taoism, and is influenced by the social and political and economic environment in the period of the birth of the landscape painting. As the main keynote of Chinese traditional landscape painting, evasive plays a decisive role in the creation of landscape painting. This article will explore the origin of the traditional Chinese landscape painting and its long-term influence on landscape painting.
作者 陈齐招 夏奇奇 Chen QiZhao;Xia Kiki(Chen Qizhao ceramic art studio,Jingdezhen,33300)
出处 《陶瓷研究》 2018年第2期97-99,共3页 Ceramic Studies
关键词 山水画 避世主义 老庄 landscape painting evasive doctrine Laozhuang
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