摘要
广州彩瓷人物图是中西方文化交融的产物,具有时代性与地域特色题材相结合、独特的构图技法和色彩运用等艺术风格。在审美意蕴方面,用笔的精细和色彩的浓艳是其最鲜明的特征。相比于古代传统的广州彩瓷人物图,当代的广州彩瓷人物图取得的进步是显著的,在人物的神韵气息和色彩运用方面有较大突破,在烧制技术和工序安排方面也更加趋于合理。
Figure paintings on Guangzhou color porcelain are the products of the blend of Chinese and Western cultures with the artistic style of the combination of times and regional characteristic subject and unique composition techniques and color application. In terms of aesthetic implication, the fine brushwork and splendid color are the most striking features. Compared with the ancient traditional figure paintings on Guangzhou color porcelain, the modern figure paintings have made significant progress,with great breakthrough in the charm and color of characters and more reasonable burning technology and process arrangement.
作者
黄宇
HUANG Yu(Department of Art and Design,Guangdong Peizheng College,Guangzhou,Guangdong 510830)
出处
《怀化学院学报》
2018年第7期99-101,共3页
Journal of Huaihua University
关键词
广州彩瓷人物图
艺术风格
审美意蕴
创新
figure paintings on Guangzhou color porcelain
artistic style
aesthetic implication
innovation