论森茉莉《甜蜜的房间》的内囿空间

Exploring the Immanence Space in Mori Mari's Sweet Room

日本女作家森茉莉的代表作《甜蜜的房间》是其耗时十年的潜心之作,是学界考究森茉莉文学的重要文本之一,然而从女性主义的学术语境中探讨其内囿空间成因的相关研究成果依旧有限。事实上,内囿空间的形成、发展与解离过程既是一个投射了男性凝视与女性反凝视权力运作、权力反转的过程,也是"庄周梦蝶-蝶梦庄周"哲学悖论的营建过程。对内囿空间的剖释与解构,有助于理解其超越了现实世界内囿范式的悖论理路,亦有助于晓悟甜蜜与矛盾并存的森茉莉式哲学意蕴。

As the representative work of Japanese female writer Mori Mari, Sweet Room is a creation that she spent ten years on with great concentration and is also one of the important works that has been used by the academic circle for studying the ＂Mori Mari Literature＂. However, the relative research on the cause of its immanence space from the academic context of feminism is still insufficient. In fact, the formation, de- velopment and dissociation process of immanence space is not only a process of projecting the power operation and power inverse of male gazing and female anti-gazing, but also a process of constructing the philo- sophical paradox that ＂Zhuang Zhou dreams to be a butterfly that dreams to be Zhuang Zhou＂. Dissecting and deconstructing the immanence space contributes to understanding its paradoxical approach to the canonical form of immanence that exceeds the realistic world, and also helps to interpret the Mori Mari philosophi- cal connotation that sweetness and contradiction coexists.