摘要
张晓风的戏剧《武陵人》改编自陶渊明的经典作品《桃花源记》,她将渔人黄道真的人格一分为三,在白衣人与黑衣人的不断冲突中,渔人(灰衣)黄道真完成了精神的成长与升华。张晓风笔下的"桃花源"多了一些世俗气,由此也更贴近缺乏信仰的现代人对理想社会的想象。通过对《桃花源记》的主要人物"渔人"和主要意象"桃花源"的解构,笃信基督的张晓风表现了一个异域教徒对于中国传统文化有关人性与人生的现代性思考。
The paly Wu Ling Ren written by Zhang Xiaofeng is adapted from Tao Yuanming's classic work of Tao Hua Yuan Ji. The personality of the fisherman (Huang Daozhen) is divided into three, and the gray man completes the growth and sublimation of the spirit in the contradiction between the white and black men. The Tao Hua Yuan of Wu Lingren is more closer to the secular society, which matches modern man' s imagination for ideal world. As a Christian, Zhang Xiaofeng shows modernistic thoughts about Hu-man nature and life of Chinese traditional culture by deconstructing the main character and imagery in Wu Ling Ren.
作者
孙倩
SUN Qian(College of Liberal Arts of Shan Dong University, Ji'nan 250100, Chin)
出处
《宁波教育学院学报》
2018年第4期65-68,共4页
Journal of Ningbo Institute of Education
关键词
桃花源记
武陵人
黄道真
桃花源
Tao Hua Yuan Ji
Wu Ling Ren
Huang Daozhen
Tao Hua Yuan