吴地落花诗的地方性审美

Local Aesthetics of Fallen Flowers in Wu Land

吴地的落花诗集群是其审美经验的外化,而这种审美经验往往受制于其情感结构和审美习俗。自魏晋开始的经济重心的南移,从创作群体、创作的经济基础、创作的社会环境上培养了吴地的审美习俗;经济重心的南移也无形中带来了南北文化的对抗,吴地文人在南北对抗中深沉挣扎的压抑感和希望凸现的自尊感之间形成了一种张力,这种张力与吴地特殊的地方性生产方式相结合,从而熔铸成为一种具有地方性特色的情感结构。

Wu＇s fallen poetry cluster is the externalization of its aesthetic experience,and this aesthetic experience is often subject to its emotional structure and aesthetic customs.The southward shift of the economic center of gravity that began in the Wei and Jin Dynasties has cultivated Wu Di’ s aesthetic customs from the creative community,the economic basis of creation,and the creative social environment;the shift in the economic center of gravity has also brought about the confrontation between the North and the South.The tension between the repressive feelings of the local literati in the deep struggle between the North and the South and the sense of self-esteem that they hope to achieve has formed a tension that is combined with Wudi’ s special local production methods,thus casting into a local characteristic.Emotional structure.