摘要
弗朗西斯科·卡塞蒂所强调的"电影经验"问题已经成为后电影理论的热点话题,它呼应着当代欧美电影学界的"技术转向"和"媒介转向",嫁接起电影学和媒介研究领域的桥梁。本文试图从卡塞蒂提出的Cinema 2.0出发,系统讨论后电影时代的电影经验状态,并通过安德烈·戈德罗和列夫·马诺维奇等当代理论家的理论与其进行对照分析。
The problem of ＂cinematic experience＂ that emphasized by Francesco Casetti has become a hot topic in post-cinema theory.It echoes the ＂technical turn＂ and ＂media turn＂ of contemporary European and American film research,and bridges the field of film studies and media studies.This thesis attempts to analysis the state of cinematic experience systematically in the post-cinema era with the concept Cinema 2.0.The theory of some scholars like André Gaudreault and Lev Manovich also provides a comparative perspective on this study.
出处
《电影艺术》
CSSCI
北大核心
2018年第4期11-19,共9页
Film Art
基金
2018年度四川省教育厅人文社科重点研究基地四川动漫研究中心支助项目<从技术到美学:动画学的本体论研究>(编号:DM201820)阶段性研究成果
