异电影的形式谱系——从漩涡到静止再到快退

Cinema-alien:The Mutational Forms of Cinema

本文从利奥塔的"反电影"入手,结合阿多诺在《美学理论》中提出的"异艺术",回到电影史中考察"异电影"的主要形式及其谱系,这包括旋转、漩涡、黑幕、静止、分屏和快退等,关于"后电影"的形态及其影像经验,在灭绝和融合两种思想模式之外,也可以回到电影史中去追索与考古。"异电影"的形式谱系也会为书写电影史提供新的史学视角。

Starting from two concepts： Lyotard＇s ＂acinéma＂and Adorno＇s ＂art-alien＂,this article traces back into the film history to examine the mutational forms of ＂cinema-alien＂,which includes several categories such as vortex,immobility,split-screen and fast backward.Apart from conventional paths of extinction and convergence,a study of post-cinema can also be operated via a method of archaeology.Conversely,＂cinema-alien＂ can also provide a new perspective for film history studies.