《路过未来》:晶体影像与晶体叙事

The Crystal of the Home:The Crystal Image and Narration in the Cinematic Works of Li Ruijun

在李睿珺的系列影片中,家园是一个永恒的乌托邦存在,总是用缺席的方式来表达即时的在场,构成一个晶体世界。影片以晶体双面性中的虚拟影像与现时影像呈现,从而在电影话语之外慢慢结晶成一个个后现代启示录式的晶体,成为家园的无器官身体。

In the series of Li Ruijun＇s films,home is an eternal utopian being,but its presence is always in terms of being absent,and thus it constitutes a crystal world.The crystal images in Li＇s films show their two sides of the virtual and the actual,and it is in this way that the images,beyond the cinematic discourse,crystalline into an apocalyptically crystal world which becomes the representation of the Body without Organs of the home.