丁玲土地革命书写的马鞍形轨迹

The Saddle Track of Ding Ling's Writing of Land Revolution

考察丁玲1931至1948年的土地革命书写可以发现,它们在叙事伦理及艺术处理上有明显差异,有一个马鞍形演变轨迹。早期的《田家冲》与《母亲》从个体生命体验角度切入,中期的《东村事件》是对"典范土地革命叙事"模式的尝试,但这一尝试并不太成功,因而,后期的《桑干河上》及《严寒日子》在适应新的创作规范的同时,又探寻新的属于自己的道路。这一马鞍形轨迹的形成,取决于作家独特的个人境况与创作追求。

Reviewing the writing of the land revolution from 1931 to 1948 by Ding Ling, we can find that there are obvious dif- ferences in narrative ethics and artistic treatments, and there is a trajectory of saddle shape evolution. Early novels Tian Jia Chong and Mother cut in from the perspective of individual life experience, the middle, East Village Incident is the attempt to the model of ＂the narrative mode of land revolution＂, but this attempt was not so successful. Therefore, later novels The Sanggan River and The Cold Days, while adapting to the new creation standard, explored a new road of their own. The formation of the saddle shape depends on the writer＇s unique personal situation and creative pursuit.