莫言小说的先锋叙事与影视传媒的影响

On the Effects of Film and Television Media in the Avant-garde Narration of Mo Yan's Novels

莫言小说叙事始终保持某种先锋性姿态,与影视传媒的影响密切相关。现代影视等大众传媒注重满足个人感观体验,那种富于刺激性和冲击力,耸人听闻、吸引眼球,轻松随意、直白通俗的叙事方式,受到极大的鼓励,这给莫言的感觉描写与感官叙事提供了驰骋的空间。莫言善于运用技术化的操作手段隔离读者的阅读经验,造成技巧大于故事的先锋派印象,同时小说的故事和人物却又异常活跃,给影视改编足够的吸引力。莫言对大众趣味、影视传媒的迎合与对小说叙事、写作规范本身的反思性追求相结合,成就了莫言小说独特的叙事风度、文本品质和审美品位。我们探求莫言小说先锋叙事的生成与影视传媒之间的复杂关系,可以从中获得某种经验或教训,从而为中国当代文学的发展提供重要启示。

Mo Yan＇s narrative style has been always maintained the certain position with avant-garde, connecting closely with the effects of film and television media. The modem films and televisions and other mass medias focus on the satisfaction of personal sense？experiences. The narrative way with full of stimulation and impulsive force, being sensational, appealing, ease and casual, even straightforward and common, receives great encouragement, which offers the galloping space for Mo Yan＇s sensory description and nar- rations. Mo Yan is good at utilizing technical and operational approaches to segregate readers＇ reading experience, making the avant- garde impression featuring techniques more than stories. Meanwhile, the stories and figures of novels are extremely active, giving e- nough attracting force for the adaption of film and television. The combination of Mo Yan＇s appeal to the public and the reflective pursuit of novel narration and writing standard themselves achieve the unique narrative style, text quality and aesthetic taster in Mo Yan＇s novels. We explore the complicated relationship between Mo Yan＇s avant-garde narration and the effects of film and television media and get some experiences or lessons from it so as to offer essential inspiration for the development of China＇s modem literature.