摘要
新写实主义作家群是最早的影视作家群,刘震云作为新写实主义的代表作家,他的创作从一开始就向影视靠拢。通过电影语言把生活化的场景描绘出来,采用镜头化的场景来体现日常化叙事,并通过新闻报道式写作来体现他的"隔合观"。采用蒙太奇的写作方式来表现"绕"的艺术。通过荒诞的故事情节和台词化的语言来表现生活的幽默。
The new realism writer group is the earliest film and television writer group. Liu Zhenyun, as a representative writer of new realism, drew close to film and television from the beginning. The living scenes are depicted through the film language, and the daily narrative is embodied by the scene of lens, and his "separation" view is expressed through news report writing. Montage is used to express the art of "winding". The humor of life is expressed through absurd storylines and lines of language.
作者
文玲
WEN Ling(College of Liberal Arts,Hunan Normal University,Changsha,Hunan 42000;College of Liberal Arts,Heng Yang Normal College,Hengyong,Hunan 421002)
出处
《中国文学研究》
CSSCI
北大核心
2018年第3期152-157,共6页
Research of Chinese Literature
基金
湖南省教育厅优秀青年项目"影视媒介影响下的中国文学转型症候研究"(17B042)
湖南省教育厅重点项目"消费语境下文学情感话语症候研究"(16A032)
四川省网络文学发展研究中心重点规划项目"视觉语境下网络小说影像化研究"(wlwx-2017003)
湖南省社会科学成果评审委员会课题"媒介革命与新世纪文学大众化审美特征研究"(XSP18YBC255)
关键词
影视媒介
刘震云
创作实践
蒙太奇
Film and television media
Liu Zhenyun
Creative practice
Montage