郑板桥墨竹诗意画的美学意蕴探析

The Analysis of Aesthetic Implication on Ink and Bamboo Poetic Painting by Zheng Banqiao

作为"扬州八怪"代表之一的郑板桥,其文人墨竹画不泥古法,自出新奇。在其众多的画作中墨竹诗意画尤为精彩,托物言志、胸无成竹,尽显传统文人画家的诗意情怀和关心、同情民间疾苦的责任意识。特别是"诗画"之结合以及"书画同源"、画竹三段论与"胸无成竹"、创新与师古传承、"纯熟返生"与"删繁就简"等美学思想为后进之财富,大大丰富了传统绘画之意蕴内涵。

As one of representatives of Yangzhou Eight Eccentrics, Zheng Banqiao＇s ink and bamboo painting is not limited by the old approach but novel style. Among his paintings, ink and bamboo painting is extremely outstanding. It hold thing to speech will and is without plan in the heart, showing the poetic sentiment and care of the traditional scholar and painter, reflecting the sympathetic awareness of folk suffering. Especially the combination of poem and painting, homology of handwriting and painting, syllogism of painting and bamboo without plan in the heart, innova-tion and inheritance of old style, skillful return, simplifying complicated material, these are advanced wealth of aes-thetic thoughts, which enrich the implication of the traditional painting a lot.