摘要
"南虫艺术"因"云南虫"而得名,创作者力图在丰富深厚的本土文化中注入艺术人类学的视角和解释,应用解构、重组的表现主义方式,把形式本身作为挥洒和承载传统文化的载体,以为生命定位的力度,重返生命的精神家园,在艺术审美和科学阐释的交媾中追溯艺术精神与灵性光芒。"南虫"艺术体系,源自"云南虫"化石在自然科学界的国际影响力和文化品牌价值,将在未来致力于创造具有国际指向性的艺术方位、艺术作品和文化现象。以小博大,用看似绵薄而内蕴深沉之力展现"南虫艺术"创作信心和发展空间,预示着一种新的艺术形式诞生;同时还涉及"南虫艺术"实体建设、运行和"南虫艺术"文化产业网构建等内容。
"Yunnanozoon Art"adopts the anthropological perspective to re-examine and re-interpret the rich local culture,using deconstruction and recombination of artistic elements in representation of traditional culture through a new form.The art tries to center on life itself and to return to our spiritual home.It pursues the artistic spirit and spiritual light in the marriage of esthetics and science.Borrowing its influence from Yunnanozoon in natural science,the system of"Yunnanozoon Art"is committed to becoming international in its orientation,works of creation,and the culture it shall create.As"Yunnanozoon Art"is a new art form,establishments,operation,and a cultural industry network are still in construction.
作者
朱永强
ZHU Yongqiang(Yuxi Normal University,Yuxi,Yunnan 653100)
出处
《玉溪师范学院学报》
2018年第5期17-23,共7页
Journal of Yuxi Normal University