《白象似的群山》中的荒原式美学主题——以“象”“山”隐喻为载体

On the “Wild Style”Aesthetics of Hills Like White Elephant——Taking the Metaphor of " Elephant" and " Mountain" as the Carrier

《白象似的群山》是一个隐喻的世界。从概念隐喻的角度看,"象""山"的源域特征,如困难、压力等被投射到目标域——小说的男女主人公身上,这对刻画人物的性格特征、突出小说的迷惘主题以及海明威的冰山原则和人性精神美学观都起到了重要作用。本文主要通过将源域象、山的这些特性投射到目标人物的心理活动中,产生昂贵无用是象、迷惘无望是山、颓废无能是山等概念隐喻,用以分析美国迷惘一代青年的心理世界和海明威笔下精神生态主题的矛盾交织,揭示人物的内在性格和精神特征,升华海明威时代人们精神思想处于迷惘状态的"荒原式"美学。

Hills Like White Elephant is a metaphorical world. From the perspective of conceptual metaphor, the source register features of ＂elephant＂ and ＂hill＂, such as difficulty and pressure, are projected into the target domain, such as the American man and the girl of the novel. It is important to describe people＇ s nature and highlight the theme of the novel and stress Hemingway＇ s iceberg principles and spirit aesthetics of human. This paper mainly aims to analyze the psychological world of America＇ s lost generation by projecting these source domain （elephant and hill） into the psychological activities of the target＇ s characters to creat some relevant metaphors. The contradiction between the theme and Hemingwayg work reveals the characters＇ inner world and traits through the different feelings of the American man and the girl, and sublimates the ＂wild style＂ aesthetics under the influence of the era of Hemingway.