摘要
杨四将军图、雷神图和七星姑娘图,是彝族家坛绘画中和汉族文化艺术关系较为密切的神灵图像。汉族神灵信仰在彝族地区的传播,绝不是主动传播与被动接受的简单关系,而是存在着严格继承、地方化变异、地方化再生产和自主创造等客观规律。在研究民间艺术的族际交流时,切忌以单向传播和被动接受为理论预设,而应从书面文献、口传文献、考古文献、艺术形式等多种视角梳理民间艺术演变的轨迹。
The images of Yang-si General, Thor and Seven-star Girl of Yi Nationality are spirit images that closely related to the Han culture in the family altar of Yi Nationality. The spread of the Han gods in the Yi Nationality area is not a simple relationship between active communication and passive acceptance. There are objective laws such as strict inheritance, local variation, local reproduction and independent creation. In studying the cross-ethnic communication of folk art, we should avoid the theory of one-way transmission and passive acceptance, it is necessary to trace the evolution of folk art from a variety of perspectives including written literature, oral literature, archaeological literature and art form.
作者
李世武
LI Shiwu(College of Art and Design,Yunnan Universit)
出处
《河南教育学院学报(哲学社会科学版)》
2018年第4期23-28,共6页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
基金
云南大学青年英才计划资助
关键词
彝族民间艺术
杨四将军
雷神
七星姑娘
民间艺术的族际交流
folk art of Yi Nationality
Yang-si General
Thor
Seven-star Girl
cross-ethnic communication of folk art