《湖社月刊》中的日本绘画

Japanese Paintings in Hu Sher Art Magazine

"湖社画会"是画家金城之子金开藩,继其父成立的"中国画学研究会"之后组织的20世纪初北京画坛最具影响力的艺术社团。《湖社月刊》是该社团为宣扬中国传统艺术而专门创办的美术期刊。然而,该期刊除了大量介绍中国古代及近代传统书画外,还专门引进了不少日本画,很多日本画家都是通过该刊首次被介绍到中国。所以《湖社月刊》在近代中日美术交流史上的地位与作用不容小觑。本文试图通过对《湖社月刊》的原文阅读,采用图像、文献、历史与社会研究相结合的方法,把事件还原到具体的历史语境中,探讨中日传统绘画交流的具体细节,以及这种交流对两国画坛所带来的影响。

Hu Sher Artists’ Society was the most influential art organization in the early 20th-century Beijing, founded by Jin Kaifan, son of artist Jin Cheng, who had created the Society of Chinese Painting. Its publication was Hu Sher Art Magazine, which was committed to promoting traditional Chinese art. However, besides publicizing ancient and modern traditional Chinese calligraphy and paintings, it also introduced quite a number of Japanese paintings. It was by this periodical that Japanese painters were introduced for the first time to China. So, Hu Sher Art Magazine played an indispensable role in the modern history of Sino-Japanese art exchanges, which we can never ignore. This paper attempts to restore events to their specifc historical contexts, and discusses details of Sino-Japanese traditional painting exchanges and the impacts to each country’s painting community by original text reading, and a combined approach of images, literature, history and sociology.