对话东汉陶俑与当代造型艺术精神探索

Spiritual Dialogue:Pottery Figurines of the Eastern Han Dynasty(25–220 AD) and Contemporary Plastic Art

东汉陶俑塑造具有多种题材和类型形式,其造型气韵生动并具有概括性和写意性特点。由于汉代造型艺术范式的普遍性,审美追求具有明确的倾向性,其造型的意味达到了前所未有的高度,表现出中国汉代特有的艺术精神。造型艺术是人类艺术的体现形式之一,是文化背景、社会风貌、个人性格等形成的思想观念及文化意蕴的追求所产生的内在精神含义。无论是古今中外,其艺术的精神本质有着千丝万缕的关联,因此,借古开今具有现实意义,只是要明了各个时代有不同的文化特征和精神含义,展现出各自的风貌。

The pottery fgurines of the Eastern Han dynasty has various themes and types, whose modelling features spirit resonance, and generalized and freehand portrayal.Thanks to the generality of the paradigm of the Han plastic art, its aesthetic pursuit shows clear tendencies, achieving an unprecedented height in a modelling sense. Plastic art is a form of human art manifestations, a revelation of spiritual connotations in pursuit of notions and cultural implications that are shaped by cultural backgrounds, customs, and personal characters. In China or elsewhere, in modern or ancient times, arts share more or less connection with each other in spirit. Therefore, it is of realistic signifcance to learn from the past to beneft the present as long as we are clear about and reproduce cultural characteristics and spiritual connotations of different periods.