从新乡土诗到《原野》:书生写作的回归与突破

From the New Local Poetry to The Wilderness:Returning and Breakthrough of Scholar Writing

吴昕孺是一位实力派诗人,也是"好诗主义"的提倡者、践行者之一。他的长诗《原野》堪称长篇巨制,既走出了新乡土诗派的阴影,又避免了掉入当前粗陋化写作的陷阱,且能别开生面,以现代性突进作为书写技法和叙述方向。吴昕孺以自己独立、清醒的价值观和文学观,以自己的探索和坚守,形成了一种颇具个性化的"书生写作"现象。

Wu Xinru is a capable poet,as well as one of the advocates and practitioners of ＂the good poem principle＂. His long poem The Wilderness can be called a masterpiece,which is not only out of the shadow of the new local poetry school,but also avoids falling into the trap of the current crude writing,and can make a fresh start with modernity advance as the writing technique and narrative direction. Wu Xinru, with his own independent and sober values and literary views,has formed a kind of individualized phenomenon of ＂scholar writing＂with his own exploration and persistence.