孤独意识:贾樟柯电影《山河故人》的主题

Consciousness of Loneliness:On the Theme of Jia Zhangke's Film Mountains May Depart

贾樟柯的电影《山河故人》以平民化视角和怀旧式审美,关注底层人物的生存状态。电影以"沈涛"为中心的一家三代的生存状况,展示出中国现代化进程中因地理距离、情感疏离和文化无根带来的3种孤独状态,表征着在现代化与全球化双重挤压下中国的文化症候和文化认同缺失下的身份焦虑,揭示了社会变迁下精神家园崩塌的原因。

Jia Zhangke’s film Mountains May Depart focuses on the living status of the bottom-level characters with civilian perspective and nostalgic manner. Through the survival conditions of three generations centered on＂Shen Tao＂,the film demonstrates the three types of loneliness in China’s modernization process caused by the geographical distance,emotional alienation and cultural rootlessness,representing the cultural symptoms and identity anxiety under the double squeeze of modernization and globalization,which reveals the reasons for the collapse of the spiritual homeland under the social vicissitude.