摘要
宋代是我国墓室壁画发展的重要时期,以往学术界受考古材料的影响,关注四川地区不够。不过,由于泸州宋代石刻的考古材料日益丰富,可以预见泸州将成为宋代墓室壁画的重镇。目前,泸州主要遗存为石刻,艺术贡献主要表现在三个方面:遗存数量表现出泸州石刻的地域性贡献,平民性表现出泸州石刻的时代性贡献,以及特色题材表现出泸州石刻的特殊性贡献。
Song Dynasty is an important period in the development of Chinese tomb frescos and there is an inadequate study of Sichuan area due to the influence of archaeological materials in academic circles. With the increasingly abundant archaeological materials of Lu-zhou's stone carvings in Song Dynasty,it is predictable Lu-zhou can occupy an important position in the study of tome frescos in Song Dynasty. The heritages in Lu-zhou at present are mainly stone carvings and their artistic contributions can be demonstrated in three aspects: the regional contribution from its numbers,the epochal significance from its plebification and the featured Lu-zhou stone carvings from its characteristic subjects.
出处
《贵州大学学报(艺术版)》
2018年第4期13-21,共9页
Journal of Guizhou University Art Edition
基金
国家社会科学基金重大项目"多卷本<中国宗教美术史>"(项目编号:172DA237)