文革电影的空间政治学

Spatial Politics in the Cultural Revolution Movies

在文革电影的影像空间中,红太阳是最令人产生遐想的能指符号,散发着浓浓的政治意识形态光泽。毛主席像和标语口号是最常见的室内装饰艺术,具有明显的政治导向功能和说服教育功能。在空间改造时,从改造对象到改造主体再到改造原动力,都存在着意识形态的植入。公共空间的批斗也是为了让观影者形成国家观念。文革电影精心书写空间政治学的目的是让观影者完成政治意识形态的调整。

In the cinematic space of the Cultural Revolution movies,red sun is the most connotative symbol with strong political ideology. The portrait of Chairman Mao and slogans are the most popular forms for the interior decorations,which obviously embody the functions of political orientation and persuasive education. In the space transformation,the ideology penetrates in the transformed objects,the transforming subject and drive. The criticism and denouncement in the public space also aim to arouse movie viewers' national consciousness. The purpose of the well-planned spatial politics in the Cultural Revolution movies is for the viewers to accomplish their adjustments in political ideology.