略论阿多诺对斯特拉文斯基的批判

On Adorno's Critique of Stravinsky

阿多诺的《新音乐哲学》是现代音乐哲学著作中的一部名著,其中对勋伯格的全面褒奖和对斯特拉文斯基的激烈批判引发了学界的诸多争议。本文梳理了此书中阿多诺批判斯氏的核心论点,援引了学界对这一批判性论调的看法,继而阐发了本文作者对阿多诺这一论调的批评。

Adorno's Philosophy of New Music is one masterpiece among the works of the modern music philosophy and its complete praise of Sch ? nberg and radical criticism of Stravinsky intrigued many controversies in the academic circles. This paper clarifies the key points in Adorno's critique of Stravinsky in the book and elaborates Adorno's criticism by citing the views in the academic circles.