刀郎木卡姆乐舞表演场景研究

On the Music and Dance Performance of Dolan Muqam

刀郎木卡姆乐舞主要流传在南疆叶尔羌河与塔里木河流域的"刀郎地区",民间艺人以乡村班社为单位,演奏套曲与舞蹈内容视表演场合而选用。文本以麦盖提县刀郎木卡姆乐舞艺术进校园为案例,通过艺人在民间院落与校园舞台不同表演场合,提出刀郎木卡姆乐舞艺术在高校传承方式与表演空间的转换,是刀郎木卡姆乐舞艺术在不同语境中保持生命力繁衍的另一种持续力量。

Dolan Muqam is a kind of music and dance performance popular in the"Dolan area"between Yarkant River and Tarim River in which folk artists choose different divertimentos and dances according to the occasions with rural troupes as the units. This paper discusses the changes in the campus inheritanceand performance space of Dolan Muqam which are the constant strength to keep vitality in different contexts by comparing the different performance spaces of the courtyard and campus with a case study of Dolan Muqam in Mai-gai-ti County(Markit County).