许鞍华电影中的空间呈现与边缘叙事

The Representation of Space and the Marginal Narrative in the Films by Ann Hui(Xu Anhua)

许鞍华电影中的空间呈现是其影片中边缘叙事的一部分。其影片中的空间首先在形态上表征着边缘人群的处境。局限性空间与边缘人群的受困,开阔性空间与边缘人群的自由,边缘空间与边缘人群的反抗这3组对应关系反映着空间与权力的缠绕。更进一步来说,作为一种连接室内与室外、地上与地下、水域与陆地等不同空间领域的"缝合"空间,边缘空间在其深层内涵上还勾连着导演本人在边缘叙事中的价值导向与美学诉求。正是这种爱德华·索亚式的"第三空间"思维决定着许鞍华影片的独特风格,而在更大的层面上,这一发现也为我们提供了观照城市空间的另一种视角。

The representation of space in the films by Ann Hui is part of the marginal narrative in them. The space in her films, in form, first of all, represents the situation of the marginalized groups. Three corresponding relationships, between the limited space and the marginal groups in difficulty, the open space and the freedom of the marginal groups and the marginal space and the rebellion of the marginal groups, are a reflection of the entanglement of space and power. Furthermore, as a stitching space that connects the interior with the exterior, the underground with the above ground, and the waters with the land, marginal space, in a deeper sense, connects the values-orientation of the director herself in the marginal narrative with her aesthetic appeal. It is this Edward Soja kind of Thirdspace that determines the unique style of Ann Hui ＇s films, and, on a greater level, this discovery has also provided us with a perspective from which to view the city space.