摘要
在新近出版的专著《战后日本文化语境中的"池田鲁迅"研究》中,卓光平聚焦了池田大作对鲁迅的接受与传播,并将之放置在日本"学院鲁迅"和"民间鲁迅"的学术场域中,勾勒出了"池田鲁迅"这一全新的"鲁迅像"。凭着细致翔实的史料梳理,多维系统的阐释角度和立体网状的研究架构,该著作不仅拓展了日本鲁迅传播研究的新空间,而且对国内"鲁迅文化"资源如何有效地指向现实这一课题具有很大的启示意义。
Zhuo Guangping has focused on Daisaku lkeda's study of Lu Xun in his newly published monograph A Study of Daisaku's Lu Xun in the Postwar Japanese Cultural Context. In his book,Zhuo mentions Daisaku's acceptance and spread of Lu Xun by putting it in the academic areas as both "Scholar Lu Xun"and "Folk Lu Xun",sketching a brand new Lu Xun image,i.e. Daisaku's Lu Xun. In terms of its exhaustive historical materials,multi-dimensional interpreting perspective and three-dimensional network research structure,this work not only expands the new space on the spread of Lu Xun in Japan,but also exerts a great significance in the domestic study of Lu Xun,that is,how to make the Lu Xun culture resources effectively connected to the reality.
作者
任金刚
李红霞
Ren Jingang, Li Hongxia(School of Humanities, Shaoxing University, Shaoxing, Zhejiang 31200)
出处
《绍兴文理学院学报》
2018年第4期24-27,共4页
Journal of Shaoxing University
基金
教育部人文社科项目"中日文化交流中的‘文学者鲁迅’研究"(17YJC751062)