摘要
西方绘画史从文艺复兴开始在图象再现的范畴中呈逐渐上升趋势,十九世纪末后印象主义画家凡·高的作品打破了这种趋势,导致了西方绘画史的分流——由图象再现向情感再现的转变。
Renaissance has witnessed a growing artistic tendency for image reproduction as the history of western art shows. As a Dutch post-Impressionist painter,Van Gogh reversed such a trend. It brought about a splitting from image reproduction to sentiment reproduction in the history of western art.
作者
朱珠
ZHU Zhu(School of Arts,Yulin University,Yulin 719000,China)
出处
《榆林学院学报》
2018年第5期95-99,共5页
Journal of Yulin University
关键词
图象再现
色彩
感性思维
理性思维
线条
自我表现
情感再现
image reproduction
colors
affective thinking
rational thinking
self expression
sentiment reproduction