摘要
现代城市的发展与透视法的发展有着不可分割的关系。按照透视法则我们总是习惯性地将城市理解为一种认为设计之后的产物,一种朝着乌托邦梦想发展的产物。不过,摄影家郑知渊却试图通过自己的摄影打破透视法对自我认知的限制。这样的创作尝试,无形中揭示了城市自在的某种发展体系与视觉体系。
The development of modern cities has an inseparable relationship with the development of perspective methods. According to the perspective law, we always habitually understand the city as a product after design, a product of a dream towards Utopia. However, the photographer Zheng Zhiyuan tried to break the limitation of perspective to self-recognition through his photography. This creative attempt has virtually revealed a certain development system and visual system of the city.
出处
《公共艺术》
2018年第4期88-92,共5页
Public Art
关键词
城市
透视法
摄影
摄影无意识
模糊空间
city
perspective
photography
photographic unconsciousness
terrainvague