摘要
在近世诗歌作品中,非经典文本中屡有出现程式化写作的现象。以明代诗人谢榛的七律送别诗来说,由《送谢武选少安犒师固原因还蜀会兄葬》诗入手,可以总结出三种相对固定的写作程式,分别为诗题与诗句之间相互对应的线性逻辑,在中间两联对行旅途中时空转换的关注和代入视角的写法,以及在结尾替人抒情与假设场景的习惯。这三种写作程式暗示着谢榛在创作时有着较强的读者意识与偿还诗债的心态。
In late imperial poetry, the phenomenon of stylized writing is easily found in non-classic texts. This article focuses on seven syllable farewell poems by XIE Zhen in Ming Dynasty, taking "Seeing off XIE Wu-xuan Rewarding Army in Guyuan backing to Shu as to attend his brother' s funeral" as an example, and then analyzes three stylized writing: the linear logic coordinated between the title and structure of a poem, the spatial and time change in the two lines of a middle couplet, and the habit of expressing an abstract emotion as well as creating an assumptive situation in the final couplet. All these stylized writing indicate that when XIE Zhen composed poetry, he had a serious concern of the audience of his work, involving the idea of "paying for the debt of poetry".
出处
《求是学刊》
CSSCI
北大核心
2018年第4期114-124,共11页
Seeking Truth
关键词
谢榛
七言律诗
送别诗
程式化
非经典文本
XIE Zhen
seven syllable poem
farewell poems
stylization
non-classic texts