辽代陶瓷造型的设计学分析

Design Analysis of Ceramic Molding in Liao Dynasty

目的对辽代陶瓷造型的设计学分析做宏观性的阐述。方法从设计学的视角出发,以辽代陶瓷造型为研究对象,从辽代陶瓷造型与分类、辽代陶瓷造型设计研究的必要性、辽代陶瓷造型的设计解析3个方面展开研究,注重对辽代陶瓷中的典型器进行成器之道的解构,注重对其造型的功能与审美进行设计原理的解读。结论辽代陶瓷是中原制瓷技术与辽人生活方式结合的时代产物,辽代陶瓷的形态设计丰富多源、民族特征鲜明,结构设计简单质朴、合理实用。辽代陶瓷的造型设计既是按照功能需求为人造物,也是按照美的规律为人造物。辽代陶瓷造型的产生发展与演变是辽代游牧文化变迁的物化形式,对它的研究既有历史反思性又有现实启迪性。

The macro-exposition of the Liao dynasty ceramic modeling design analysis is made. From the perspective of the design, taking a Liao dynasty ceramics as the research object, the analysis is carried on from three aspects： modeling and classification, the necessity of study of ceramic modeling design in Liao dynasty, analysis on the design of ceramics of the Liao dynasty style, focusing on the typical apparatus in the Liao dynasty ceramic out way of deconstruction, paying attention to the modeling of the design principle of the functional and aesthetic interpretation. Liao dynasty ceramics was the porcelain making technology combined with Liao people lifestyle products. The shape design of ceramic in Liao dynasty is rich, multi-source, distinctive national characteristics, the structural design of Liao dynasty ceramics is simple, reasonable and practical. The modeling design of ceramic in Liao dynasty is not only created according to functional requirements, but also according to the law of beauty. The formation, development and evolution of ceramic modeling in Liao dynasty is the materialized form of nomadic culture change in Liao dynasty. The study of it has both historical reflection and realistic enlightenment.