科尔沁蒙古族刺绣的田野调查——以库伦旗“蒙古族刺绣”传承人包英格为研究个案

Field investigation of Horqin Mongolian embroidery——A case study of Bao Ying ge,the inheritor of “Mongolian embroidery” as the object of study in Kulun Banner

科尔沁蒙古族刺绣是蒙古族在长期的历史发展中形成的手工艺品。它包含着科尔沁蒙古族历史文化、宗教艺术及风俗习惯等众多文化元素,是研究科尔沁蒙古族文化艺术的重要实证材料。科尔沁蒙古族刺绣的图案及色彩具有明显的民族性、地方性、多元性特征,因此学者们从不同角度去研究科尔沁蒙古族刺绣的深层含义。本文以"科尔沁蒙古族刺绣"为主要研究内容,以内蒙古自治区库伦旗"蒙古族刺绣"传承人包英格女士为研究个案,进行了实地田野调查,在吸取前辈学者研究成果的基础上,注重实用图像及文献史料的互证,从美术学的角度探析了科尔沁蒙古族刺绣图案及色彩搭配的艺术风格、特征。

Horqin Mongolian embroidery is a handicraft formed by Mongolian in the long terms of the development of history. It contains many cultural elements,such as the historical culture, religious art and customs of Horqin Mongolian, and which is an important empirical material for the study of Horqin Mongolian culture and art.The patterns and colors of Horqin Mongolian embroidery have obviously national, local and pluralistic characteristics,so scholars study the deep meaning of Horqin Mongolian embroidery from different view. This article takes ＂Horqin Mongolian embroidery＂ as content of the main research,and takes Ms.Bao Ying Ge,who is the inheritor of ＂Mongolian embroidery＂in Kulun Banner of Inner Mongolia Autonomous region,as a case stady.On the basis of the research resulars of predecessors and scholars, this paper pays attention to the mutual proof of practical images and historical materials, and probes into the artistic style and characteristics of Horqin Mongolian embroidery patterns and collocation from the different points of fine arts.