摘要
复兴、创新和发展中国自古以来就有的感兴学美学传统,并以此重构中国当代美学,不失为中国当代美学创新发展的一条有效路径。"感兴"是中国人特有的情感体验、审美思维与艺术表达方式。全面展开以"兴"或"感兴"为核心范畴的中华感兴美学研究,弘扬中华感兴美学及其艺术审美精神,可以从深层次上激活中华古代美学和文论思想的生命力,提升中国当代美学和文论的精神高度,为中国当代美学文论建设提供价值源泉和精神动力。
It would be an effective way for the innovative development of Chinese contemporary aesthetics by the renaissance and innovation of China's aesthetic tradition of ganxing theory since ancient times, and the reconstruct Chinese contemporary aesthetics. "ganxing" is a unique emotional experience aesthetic thinking and artistic expression of the Chinese. ganxing theory in ancient China is not only a continuing aesthetic tradition, but also a similar family term of art theory. It contains rich aesthetic connotation and constitutes a potential aesthetic ideology system. By developing Chinese aesthetics centered on "xing" or "ganxing" and promoting its artistic and aesthetic spirit, we can activate the vitality of ancient Chinese aesthetics and literary theory, enhance the spiritual height of Chinese contemporary aesthetics and literary theory, thus furnishing the construction of Chinese contemporary aesthetic and literary theory with the source of value and spiritual power.
出处
《上海文化》
CSSCI
2018年第8期17-23,114,共8页
Shanghai Culture
基金
国家社科基金艺术学重大招标课题"中华美学与艺术精神的理论与实践研究"(项目号:16ZD02)
教育部重点人文基地重大项目"中国文化精神的文学表征研究"(项目号:16JJD750008)的阶段性成果