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论公共性的美学视差

On the Aesthetic Disparity of Contemporary Publicity
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摘要 自人类有史以来,公共价值一直是人类探索追求的最重要的目标。人类文明、文化的深度价值都与公共价值相关。当代公共价值的美学视差,是公共性涉入美学境遇的一种表现。非美学境遇使公共性的价值所指迷失,美学境遇中的公共性价值因美学幻象的容纳性和生成性,具有本体论建构的意义。美学视差性中公共价值的呈现方式及其对当下社会的有效性,需要认真地辨析和批判性对待。通过揭示美学幻象机制中公共价值呈现的偏颇,发掘美学视差性可能导致的不可逆的现实影响,对当代美学和现实实践都具有重要意义。 Public value which correlates with the profound value of human civilization and culture has always been the most important goal of human exploration. The aesthetic disparity of contemporary public values is a manifestation of the involvement of publicity in aesthetic situations. The non-aesthetic situation makes the value of publicity lost, and the value of publicity in aesthetic situation has the significance of ontological construction because of the accommodation and generative of aesthetic illusion. Therefore, the presentation of public value in aesthetic disparity and its effectiveness to the current society need to be seriously discriminated and critically treated. It is of great significance for contemporary aesthetics and practical practice in discovering the irreversible realistic influence of aesthetic disparity by revealing the bias of public value in the mechanism of aesthetic illusion.
作者 赵建军
出处 《上海文化》 CSSCI 2018年第8期24-36,125,共13页 Shanghai Culture
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