海子死亡诗歌的叙述方式——兼论海子诗歌的精神世界及其诗歌追求

The Narrative Mode of Haizi's Death Poems——On the Spiritual World of Haizi's Poetry and Its Poetic Pursuit

在海子的抒情诗及长诗的部分篇幅中存在着数量不少的一类诗歌——抒写死亡的诗歌。在这类诗歌中,海子以独特的诗歌语言和原创的诗歌意象,运用多种叙述方式描述着"我"的死亡方式及其死状。这种"在场"的叙述者、体验者或聆听者以及预述的叙述方式似乎都在为诗人最终选择以极端方式的离去做着生命逝去前的铺垫。主要从海子的诗歌精神及其诗歌理想与追求出发,探索其诗歌中或隐或明的死亡情结表述,并从其一系列死亡诗歌中剥离出其预设的种种自杀方式,从叙事学的角度,探讨海子死亡诗歌中蕴含的强烈而丰富的悲剧意识和浓厚沉重的死亡气息以及其对死亡的叙述方式。

There is a large number of poems in Haizi＇s lyric and long poems, namely, poems of death. In this kind of poetry, Haizi, with his unique poetic language and original poetic image,uses various narrative methods to describe the death of ＂I＂ and its death. This ＂presence＂narrator, experiencer or listener, and prescribed narrative style all seem to pave the way for the poet to choose to leave in an extreme way before he dies. Starting from Haizi＇s poetic spirit and poetic ideal and pursuit, this paper explores the expression of death complex in Haizi＇s poetry,and the preconceived ways of suicide are stripped out from his series of poems of death. At the same time, this paper probes into the strong and rich tragic consciousness and the heavy breath of death contained in Haizi＇s death poems and their narrative ways of death from the perspective of narratology.