摘要
1949年以来,侗族大歌从一种民间艺术成为人类非物质文化遗产,离不开创新发展,体现于三个方面:艺术展演在同声合唱的基础上新增混声合唱,在舞台上增加侗族生活场景;内容主题从赞颂、爱情、教化等方面发展至反映时事,吸收侗族经典叙事题材以深化内涵;传承传播从村寨传承发展至学校传播,从口耳相传发展至多途径、多媒介传播。这也表明,民族文化只有在形式、主题及传播方面不断创新方能获得发展。
Since the founding of PRC, the Dong chorus has been transited from a kind of folk art to the intangible cultural heritage based on the innovation development in the foDowing three aspects. The first is combining mixed chorus with single chorus and adding scenes of life of Dong people in the art performance; the second is of the contents which adopt the classic narration of Dong minority, and the themes are related to the praise, love, and other aspects reflecting the current affairs; and the last one is the change of the means of inheritance and transmission, from the villages to schools, from oral teaching to other multi - media. In other words, only through the innovative ways in patterns, themes and transmission, the ethnic culture could get development.
出处
《原生态民族文化学刊》
CSSCI
2018年第3期127-131,共5页
Journal of Ethnic Culture
基金
2012年度第三批国家社科基金重大招标项目"黔湘桂边区汉字记录少数民族语言文献分类搜集整理研究"(12&ZD181)
关键词
侗族大歌
艺术展演
内容主题
传承传播
创新发展
the Dong chorus
art performance
theme of content
inheritance and transmission
innovation development
