白话现代主义对中国民间文学学科本土化的启示——兼及对日常生活概念的反思

Vernacular Modernism's Enlightenment on Chinese Folklore's Localization and Introspection on Concept of Daily Life

白话常被视为是一个与文言文相对应的概念,但从实论来看,白话并不只是一个单纯的语言概念。2000年,德国籍学者、美国芝加哥大学教授米莲姆·汉森基于对胡适等人的表述和对五四白话运动的认识和理解,赋予白话概念以新的美学内涵。结合汉森的美学理解,兼及对鲍辛格日常生活概念的反思,从白话与日常生活、作为美学概念的白话与日常生活的启蒙和白话与日常生活审美化等三方面展开对白话概念的讨论,以期打通传统与当下的界限,并在世界各国民间文学研究纷纷形成自我特色的背景之下,为中国民间文学学科的发展寻找中国话语和理论依据。

Generally,vernacular is taken as opposite of classical Chinese.In fact,vernacular is not only a language concept.In 2000,Miriam Bratu Hansen,professor of University of Chicago,endows the concept of vernacular with new aesthetic connotation based on Hu Shi’s expressions and his knowledge and understanding to Vernacular Movement.This thesis discusses the concept of vernacular from the relationship between vernacular and daily life,vernacular as aesthetic concept and enlightenment to daily life and daily life anesthetization three aspects connected with Hansen’s aesthetic understanding and introspection on concept of daily life of Hermann Bausinger.This thesis aims to break through the limit between tradition and modern and find out Chinese characteristics and theoretical foundation for the development of Chinese folklore in the background that folklore researches form its own characteristic in other countries.