中华人民共和国建国前后的茅盾

Mao Dun: Before and After the Founding of the People's Republic of China

茅盾在中华全国第一次文学艺术工作者代表大会的报告中划分的国民党统治区文艺活动的四个时期,几乎与他自身的经历相重合。茅盾在抗日战争中摸索文艺思想,找到了自我问题意识发展的归宿,即将中国共产党的方向定为目标的经历,这成为中国共产党认知的国民党统治区的文艺活动的范例。换言之,茅盾根据自身的逻辑形成的文艺思想的变化,与中国共产党追求的"自我改造"相一致。可以说,从中日战争爆发到中华人民共和国建国时期的茅盾的文艺思想,正是"改造"与"坚持"之间角力的过程。

In July 1949, just before the founding of the People's Republic of China, the First Congress of Chinese Writers and Artists was held in Peiping. At the congress, Mao Dun published the report entitled "The Struggling Developing Revolutionary Art and Literature under the Oppression of the Reactionaries". Although the report is based on many discussions led by the Communist Party of China, the four periods of the artistic and literary activities defined by the report in the Kuomintang ruling area almost coincide with Mao Dun's own experience. During the eight years ' War of Resistance against Japan, Mao Dun explored the path of artistic and literary ideology, and found his experience of setting the direction of the Communist Party of China as the goal to be the destination of the development of self-consciousness.His ideology thus was considered by the Communist Party of China as a paradigm of the literary and artistic activities in the Kuomintang ruling area. In other words, the transition of Mao Dun's literary and artistic ideas based on his own experience is consistent with the "self-remoulding" advocated by the Communist Party of China. Hence the transitioning process of Mao Dun's artistic and literary thoughts from the outbreak of the Second Sino-Japanese War to the founding of People's Republic of China is the combat between reform and persistence.