“非遗”数字化保护中的“在场”问题研探——以青海刺绣艺术数字化保护为例

Research on the “Presence” in the Digital Protection of “Intangible Cultural Heritage”——Taking the Digital Protection of Qinghai Embroidery Art as an Example

"非遗"保护领域各"场域"之间存在着明显的界限,这在一定程度上决定了数字化保护工作者"在场"意识的有限性。培育并完善数字化保护工作者的"在场"意识,应当了解与青海刺绣艺术相关的历史文化信息,学会利用口述史方法接近"非遗"传承人的"场域",以忠实的态度记录"非遗"素材,并以"了解之同情"的态度对待"非遗"传承人。

There are obvious boundaries between＂Fields＂in the protection field of ＂Intangible Cultural Heritage＂. This to a certain extent determines the limited awareness of ＂Presence＂of digital protection workers. To cultivate and improve awareness of＂Presence＇of digital protection workers, we should understand the historical and cultural information related to Qinghai＂ s embroidery art, learn to use the method of oral history to approach the ＂Field＂ of ＂Intangible Cultural Heritage＂ inheritors, and record ＂intangible Cultural Heritage＂ with a faithful attitude. Remains materials and treats ＂ Intangible Cultural Heritage ＂ inheritors with ＂Compassion in Understanding＂.