基于山水画“远”论的晚明以来中国古典园林中的意境欣赏研究

An Research about Artistic Conception of Chinese Classical Garden from the Later Ming Dynasty Based on the “Far” Theory of Landscape Painting

受画意造园原则确立的影响,"远"成为晚明以来古典园林营造及欣赏的重要特征。尝试考察"远"的语义,阐发山水画理论中"远"的内涵,进而分析古典园林中"远"境形成的深层原因。从山水画"远"论的视角,将园林中的"远"境欣赏分为深远、高远、平远,以及与平远有关的阔远、迷远、幽远等类型。总结概括不同类型"远"境审美欣赏的方式与特征,并阐释其审美价值。

Influenced by the principle of ＂Picturesque＂garden making, The ＂Far＂ has become an important feature of the classical garden construction and appreciation since the late Ming Dynasty.Try to investigate the meaning of the ＂Far＂, explain the meaning of ＂Far＂ in the theory of landscape painting,and then analyze the deep causes of the formation of ＂Far＂ vision in Chinese classical garden.From the perspective of landscape painting ＂Far＂ theory, divide ＂Far＂ vision appreciation into Deep Far, High Far, Front Far, as well as Wide Far, Fan Far, Secluded Far and so on, which is related to Front Far.Summarize the way and characteristics of different types of ＂Far＂ vision apprecia- tion, and explain its aesthetic value.