“性灵说”之“贵情”美学精神及其学理溯源

Aesthetic Spirit of “Xingling Theory” and its Theoretical Origin

"性灵说"是清代诗文家袁枚提出的论诗主张。他提倡"性灵说",认为"自三百篇至今日,凡诗之传者,都是性灵,不关堆垛",主张诗文审美创作应该抒写性灵,要写出诗人的个性,表现其个人生活遭际中的真情实感,并由此致使其"性灵说"突出地呈现出一种"贵情"美学精神。这种"贵情"美学精神,在中国美学史上具有极为深厚的学理渊源,可以追溯到陆机的"缘情说"。

＂Theory of spirituality＂ is a poetic proposition put forward by Qing dynasty poet Yuan Mei. He advocated ＂the theory of spirituality＂ and believed that ＂from 300 articles to this day, all poets are spir-ituality, not stacking＂. He advocated that the aesthetic creation of poetry should express spirituality, write the poet＇s personality, and express the true feelings in his personal life. As a result, his ＂theory of spirit-uality＂ has shown an outstanding aesthetic spirit of ＂love＂. This aesthetic spirit of ＂love＂ has a profound theoretical origin in the history of Chinese aesthetics, which can be traced back to Lu Ji＇s ＂theory of love＂.