现代水墨人物画笔墨语言探略——惠安女人物画创作思考

Brush and Ink Strategies in Modern Ink Figure Paintings——a Case Study of Huian Female Figure Paintings

笔墨语言作为中国画表现形式,它的创新来自传统,来自时代审美的要求,来自表现主题人物的需要。在当下多元文化语境中,惠安女水墨人物画笔墨语言的创新应对传统笔墨语言进行梳理,并对惠安女的生命精神进行思考。尝试结合惠安女的特点和生活状态,在时代审美法则中重新解构传统笔墨语言元素,并进行整合,以此创造具有独特笔墨精神和审美价值的笔墨语言。

As a form of expression in Chinese painting,the brush and ink language is originated from the tradition,from the aesthetic requirements of the times,from the needs for expressing thematic figures. In the current multicultural context,the innovation of the Chinese ink painting language should be combined with the traditional brush and ink language,based on the life spirit of Hui’ an females. Integrated with its characteristics and living conditions,in order to create the unique spirit and aesthetic value of brush and ink language,the traditional language elements of brush and ink should be reorganized in the aesthetic rules of the times.