姚华碑帖观与书法摭谈

Yao Hua's Viewpoint of Calligraphy Conception

姚华作为"旧京师的一代通才",其"寓碑于帖"的碑帖观迥异于晚清盛极一时的"尚南抑北"或"尊碑抑帖",而从书体流变、书风演变等角度创新了碑帖书学认识。本文以姚华《弗堂类稿》中的序跋部分为研究对象,通过分述其碑帖理论、书法特征以及对当下书法审美及发展的启示,探讨姚华碑学论中折射出的继承与开拓的书法艺术思想。

Yao Hua, as the＂one generation of the old Bei Jing＂, is different from the＂worship south and despise north＂in the late Qing Dynasty, and he has innovated the inscription book study from the angle of the change of the Calligraphy body and the evolution of the Calligraphy wind. This thesis takes the preface and the postscript part of the book named Fu tang lei ga of Yao Hua＇s as the research object, and discusses the calligraphy and the art thought of Yao Hua＇s tablet theory by his calligraphy theory, and calligraphy characteristic and the enlightenment of the present calligraphy aesthetic and development.